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About the Foundation

Sharon Eyal’s *Delay the Sadness*. Photo: Vitali Akimov
Sharon Eyal’s Delay the Sadness. Photo: Vitali Akimov

Our mission

MART is an American nonprofit organization dedicated to curating, producing, and supporting contemporary performing arts worldwide. We collaborate with artists whose practices expand the language of performance, exploring form, identity, and the complexities of the present moment.

Through commissions, touring, and long-term collaborations, we foster artistic exchange across borders, disciplines, and cultural contexts. Our programs connect audiences to theatre and dance that challenge convention, spark dialogue, and create space for new ways of seeing.


Our history

In 2018, producer Sofia Kapkov founded Modern Artlife Foundation (MART).

MART was founded out of my long-standing commitment to developing ambitious theatre and contemporary dance projects as well as supporting independent artists working internationally. In its early years, the foundation focused on presenting projects originating in Russia to global audiences.

Russia’s full-scale invasion of Ukraine in February 2022 marked a fundamental rupture. We have decided to halt all activity in Russia and relocate our work. It was an ethical and structural turning point for the foundation, defined by moral responsibility and artistic independence.

Today, MART operates within an international cultural landscape, working with artists and institutions across the United States, Europe, and Israel. Our programs are shaped by collaboration, mobility, artistic independence, and the belief that theatre and dance remain vital spaces for dialogue and shared experience.

Sofia Kapkov
Founder

With a strong focus on collaboration, MART co-produced the New York premiere of Our Class at Brooklyn Academy of Music, named one of the best productions of 2024 by the The Wall Street Journal and a four-time Lucille Lortel Awards winner, as well as Into the Hairy by Sharon Eyal, recipient of the 2026 Laurence Olivier Award for Best New Dance Production. Among the foundation’s recent projects is the Off-Broadway production Seagull: True Story, produced by MART and directed by Alexander Molochnikov, presented at La MaMa Experimental Theatre Club (2025), Marylebone Theatre (2025), and The Public Theater (2026).

Over the past ten years, MART has collaborated with renowned artists, institutions, and festivals, including Gibney Company, Carnegie Hall, Sadler’s Wells, the Barbican Centre, Holland Dance Festival, Akram Khan Company, S-E-D Sharon Eyal Dance, Festival d’Avignon and Powerhouse: Internationa | A New Arts Festival.

Our team

Sofia Kapkov

Sofia Kapkov

Founder, Director of Programming

Sofia Kapkov is a New York-based producer who has worked in the performing arts for many years. She is the founder of MART Foundation, a non-profit American organization that supports contemporary culture on the international stage. Sofia has managed a range of MART projects in England, France, Russia, Israel, and the United States, featuring projects at the Brooklyn Academy of Music, Sadler's Wells, Festival d'Avignon, Baryshnikov Arts Center, Orsolina28, Carnegie Hall, and Powerhouse: International - A New Arts Festival . MART co-produced the acclaimed Off-Broadway production Our Class, recipient of four 2025 Lucille Lortel Awards, Sharon Eyal's Into The Hairy and Delay The Sadness, London production of What We Talk About When We Talk About Anne Frank, and the Off-Broadway production Seagull: True Story. In 2025, Sofia published a book titled Arts Hustler, chronicling her journey and experiences as a producer in the arts.

Lisa Rozov

Lisa Rozov

Producer

Lisa Rozov is an arts producer and program manager based in Tel Aviv with over 15 years of experience developing and executing international projects across education, arts and creative industries.

Throughout her career, Lisa collaborated with leading international art institutions and brands, including National Ballet of Canada, Suzanne Dellal Centre, Batsheva Dance Company, Studio Wayne McGregor, Sadler’s Wells, National Portrait Gallery, Musée d’Art Moderne de la Ville de Paris, Carnegie Hall, NYU, Goldsmiths University London, Festival d’Avignon, British Council, Goethe Institute, Nike, and Edinburgh International Festival.

Her producing and programming portfolio includes Benjamin Britten’s Seasons in Russia, the launch of the Shakespeare train in the Moscow Metro, UK-Russia Year of Music, Selector PRO Conference for music professionals, head of Production at Context.Diana Vishneva; presenting works of Crystal Pite, Wayne McGregor, Azure Barton, Ohad Naharin, Justin Peck, Martha Graham, Mats Ek, Sharon Eyal co-productions, The Hitchcock 9 festival with British Film Institute, concerts of Morrisey, Massive Attack, Koreless, Dean Blunt, London contemporary orchestra, among others.

She also curated the Creative Bridge forum which spotlighted educational opportunities for the diverse communities of creative professionals.

Anastasia Gudkova

Anastasia Gudkova

Operations Manager

Anastasia Gudkova is a New York–based arts producer and operations manager working at the intersection of theatre, dance, and cultural programming. As Operations Manager at MART, she oversees project management, artist relations, event production, marketing strategy, and organizational operations for a wide range of international and New York–based initiatives.

Since joining MART in 2019, Anastasia has contributed to the development and production of numerous acclaimed projects in the U.S. and abroad, including collaborations with leading artists and cultural institutions. Her experience spans producing Off-Broadway theater, international touring, and large-scale performance projects, with a focus on building meaningful artistic partnerships and creating impactful audience experiences. She holds a B.A. in Philosophy from New York University.

Support MART

Our work is made possible thanks to the incredible generosity of individuals and cultural institutions. We are able to provide programming to promote contemporary performing arts because of the financial support we receive from our community of patrons. Your contribution, in any amount, one-time or recurring, is appreciated.