Set in a warehouse of emotions and objects, Summer Snow unravels a grotesque human image. The work consists of a series of surrealist scenes through which we discover the story of one character intertwined with the stories of others. The work raises questions regarding the physical and mental burdens that construct our reality and narrow our steps in it. What are the objects, memories, aspirations, and disappointments that activate us, and to which we cling – as individuals and as a group? What is left of all these when life is shaken to the core?

The occurrences on stage intersect with each other, constructing and deconstructing a web of relationships ranging from mundane to chaotic, from harmonious to turbulent. The enclosed space on the stage, built of shelves, creates a dense and claustrophobic world, an isolated island. The outside penetrates in various ways, and the explosive emotional tension quickly escalates into images of dark violence, loneliness, and insatiable emptiness.

The shelves, which once contained objects of functional and sentimental value, are now an empty reminder, a vague memory, of what will ultimately vanish.